Roger Taylor: “The Unblinking Eye (Everything Is Broken)”
Posted: 11.23.2009 Filed under: 2009, new release, Roger Taylor, song review Leave a comment »
My interest in Queen and Queen-related projects has waned considerably since the publication of my book (which is one of many reasons I’m taking my time with my Elvis Costello and The Who books: I’d rather not burn myself out to the point that I can’t stand listening to them for any extended period of time), but I became genuinely excited within the past week or two when it was revealed that Roger Taylor was set to release his first solo single in 12 years.
At least, that’s according to the press release. Obviously they’ve forgotten about the catchy ‘Woman You’re So Beautiful (But Still A Pain In The Ass)’, which was released as Felix + Arty back in the summer of 2006. (Felix, for those not in the know, is Taylor’s eldest son and the source of the phrase “radio ka ka”, which gave way, of course, to ‘Radio Ga Ga’. Arty is Roger Taylor’s initials pronounced phonetically. Clever, no?) And Taylor’s most recent solo album was released in 1998, not 1997. But let’s not quibble over technicalities and such; the man has put out a new single, and it’s pretty damn good.
In the press release, Taylor laments the “loss” of the protest song, and as soon as I read that, I cringed. Throughout his solo career, Taylor has taken pot-shots at politicians and undeserving celebrities, and while they may have been deserved, some of his word usage is questionable at best, and laughable at worst. (Here’s one of his winning verses: “VIPs and royalty get treated like they’re specialty / But the trick is there for all to see / They’re people just like you and me / You can shove it!”) A 90 second sample of the new song was made available over the weekend, and one overenthusiastic Queen fan stated that Taylor is the British Bob Dylan. I found such a statement incredulous and baffling. Dylan’s lyrics, which at one point were the voice of a generation, are timeless and classic works of poetry; Taylor’s lyrics – in fact, most of Queen’s lyrics – are timeless and classic, but more as a way of filling in spaces around the music. They say a lot, and they say nothing, whereas Dylan draws on personal experience to speak personally and from the heart. There’s no denying that Taylor might speak personally and from the heart on his songs, but Dylan has such a way with words that very few people can lyrically touch him. To me, Elvis Costello is the British Bob Dylan, but Dylan is in a class all of his own, that it’s unfair to compare him with anyone else.
So, now that I’ve blustered on for far too long about one stupid statement: what of the song? Titled ‘The Unblinking Eye (Everything Is Broken)’ (hey, maybe that’s where the Queen fan drew the Dylan reference!), it’s a six minute epic that is less of a ‘Bohemian Rhapsody’ and more of a combination of ‘Happiness?’ and ‘Foreign Sand’, both from Taylor’s wonderful 1994 album Happiness?. There’s nothing too over-the-top or bombastic here, and Taylor proves himself to be a jack-of-all-trades by playing all the instruments – quite well, too; that’s some accomplished piano and keyboard playing, for sure – and singing all the vocals. Lyrically, it deals with the Iraq war, clueless politicians, and the invasion of privacy in London, but it’s not acerbic enough to be a true protest song. When I think of protest songs, I think of anger and frustration, sharp, loud guitars, and emotions boiling over, but the languid pace and relatively restrained vocals gives it a resigned weariness, as if Taylor has little else to do but accept what he’s protesting.
For what it’s worth, the song is lovely (not only is there a nice orchestration – undoubtedly done on keyboards – but also a Stylophone solo), and I’m really pleased that Taylor has had the creative fire lit under him: his songs on the patchy but enjoyable The Cosmos Rocks were some of the best that he’s written, and as spotty as his solo career has been in the past, it’s certainly diverse and interesting enough to pick up again. I remember being disappointed when he announced he wouldn’t be doing anymore solo albums after the release of his excellent Electric Fire in 1998, because I’ve always found his solo material more enjoyable than, say, Brian May’s output, but I’m pleased to see that he’s since retracted that statement and is at least putting out some singles. I just hope a full album is in the works, because ‘The Unblinking Eye’ is too good to be forgotten as a download-only single.
Download ‘The Unblinking Eye (Everything Is Broken)’ from the Queenonline store or watch the video here. But buy the single, because it’s good.
Nick Cave and the Bad Seeds: “Babe, I’m On Fire”
Posted: 03.27.2009 Filed under: 2003, Nick Cave and the Bad Seeds, song review Leave a comment »Forgive the indulgence. Right now I’m on a Nick Cave and the Bad Seeds kick, specifically their 2003 album, Nocturama, and even more specifically the song ‘Babe, I’m On Fire’. Now, my goal with this blog is to review albums, not songs, but I’ve recently become somewhat obsessed with this song, and I feel that just mentioning it in a review of Nocturama – which will come, eventually, but not anytime soon, because I’ve just finished the Abattoir Blues / The Lyre Of Orpheus review – isn’t enough. So, I devote an entire entry to it.
First off, I was surprised to read a particularly scathing review of the album on All Music Guide, a site I trust and used as a basis for my record collection, however minuscule it may be to others’. Not that I don’t normally disagree with constructive criticism, but this review seemed particularly mean; maybe it’s because I’m a newcomer to Cave’s music, so that I’m not familiar with what he’s done, but to my ears, the album is good – not great, not like its successors (the aforementioned Abattoir Blues / The Lyre Of Orpheus, 2007′s Grinderman, and 2008′s Dig, Lazarus, Dig!!!), but good.
But enough of the album. Let’s get to the song. When I first saw the running length of 14 minutes 45 seconds, I didn’t think anything of it; because it’s the closing song on the album, I just assumed that it was something of a conventional running time, with a hidden track after a few minutes of silence.
Well, that all changed with the pulsating bass riff as Cave howls out the introductory verse, unaccompanied by the rest of the Bad Seeds: “Father says it, mother says it / Sister says it, brother says it / Uncle says it, Auntie says it / Everyone at the party says”. Fairly innocuous, right? Well, once the rest of the band launch into their respective roles with the next line, where Cave twice sings the title, a whole cavalcade of noise and chaos is unleashed, and it’s like a wall of glorious din is being deconstructed, reconstructed, and deconstructed again within a matter of seconds. Violins wail, guitars scratch up and down the fretboard, Hammond organs distort and shimmer, and drums clatter. What follows is an uncompromising song that JUST. WILL. NOT. LET. UP. Cave might as well be improvising the words, as they make little to no sense, but all together they are funny and twisted and demented; a whole laundry list of people, things, and creatures is mentioned, and most of them can only come from the fucked up mind of Cave: everything from a mouse in a pocket to drug-addled wrecks with needles in their necks, from the sweet little Goth with the ears made of cloth to the backyard abortionist. Each successive verse is punctuated by an elongated “Weeeeeell”, while cues for the band to jump into the chorus come in the way of a hoarsely yelled “All right now”; this is Cave and his Bad Seeds at their most unhinged, the closest they can come to derailing while still grasping as tight as they can to the caboose.
What makes the song even more amazing is its video, which I only witnessed for the first time a few days ago. In it, Cave and the Seeds are in a small room, with each member just going ballistic on his instrument as Cave stands perched near an organ, not even coming close to hiding the fact that he’s reading the lyrics off sheets of paper, while doing a silly dance that I can’t even begin to describe. (My particularly favorite moment of the video comes toward the end, when Cave just grabs the sheets and stares at them, bewildered, as if he’s lost his place and has no hope of finding his way back.) Additionally, practically every person/thing/creature Cave sings of is illustrated by members of the Bad Seeds, which might involve them dressing up in drag or hopping around like kangaroos, or having water thrown at them … well, words don’t do it justice. For your edification and pleasure, I attach here the video from YouTube, cut into two parts because the video is just that long. I implore you to watch it with an open mind; it’s not the easiest song to listen to, and it might not make a whole lot of sense right now, but if something in you clicks – and if you feel like exploring Cave and the Seeds after reading my review of Abattoir Blues / The Lyre Of Orpheus – then you’ll see why I love the song so much and had to devote an entire separate entry for it.
If you don’t get it … well, someday you might.
